Atlantic Yards developer Bruce Ratner wasn’t the only one causing controversy at the Brooklyn Museum’s gala celebration for the Takashi Murakami retrospective last Thursday night. Some attendees say Jamie Snow, wife of Brooklyn Borough President Marty Markowitz, was rather boorish in her accumulation of freebies at the event.
Each diner at the gala was entitled to one special edition technicolor fiberglass placemat designed by the trendy artist, but it seems Snow’s sense of entitlement was big enough to accommodate eight of the souvenirs, which she snatched from abandoned place settings and had autographed by Murakami after dinner. The mats have been sold for up to $1,000 on eBay by revelers who took them from previous events.
When some attendees at Thursday’s gala realized they missed out on the placemats, they went crying to Snow for one of her eight. According to Radar, she had little sympathy: “You guys really should have acted faster. This is Brooklyn!” Other placemat pleas reportedly elicited responses such as, “You snooze, you lose, buddy. Forget it.” And when her husband, the borough president, was asked to intervene, he responded with a shrug: “Just try being married to her.”
The Daily News confirmed the contretemps with Snow, who admitted it was “a little true.” So Marty Markowitz has vowed to sell the placemats to raise funds for Camp Brooklyn, a program that sends low-income kids to camp. “She didn’t steal, she didn’t thieve, she didn’t take from anyone else,” Markowitz told the News.
It’s here on eBay! click click ——> murakami plates
Article from http://gothamist.com
Posted in brooklyn museum, ebay, event, louis vuitton, marc jacobs, takashi murakami
Tagged brooklyn museum, Bruce Ratner, ebay, gala, Jamie Snow, louis vuitton, lvmh, Marty Markowitz, murakami, opening, placemats, resell, scandal, swag, takashi murakami
© MURAKAMI: Brooklyn Museum Photo Gallery from gothamist.com
© MURAKAMI, a retrospective of the work of Japanese artist Takashi Murakami, opens Saturday at the Brooklyn Museum. Organized by the Museum of Contemporary Art (MOCA) in Los Angeles, where it was on view until February, the exhibit primarily focuses Murakami’s work between 1991 and 2000, when the artist began exploring “his own reality through an investigation of branding and identity.” (One additional work, Murakami’s 6,613 pound, 18 foot-tall Oval Buddha sculpture, will be on view at the Sculpture Garden at 590 Madison Avenue at 56th Street.)
Within the Brooklyn Museum exhibit is a fully operational Louis Vuitton store, where consumers can choose from a selection of Monogram Multicolor bags, including the “Monogramouflage,” a new pattern created by Takashi Murakami for Louis Vuitton that for now is only available at the Brooklyn Museum. (It hits stores in June.)
Speaking about the inclusion of the Louis Vuitton shop within the exhibition, Murakami states, “The shop project is not a part of the exhibition; rather it is the heart of the exhibition itself. It holds at once the aspects that fuse, reunite, and then recombine the concept of the readymade. The Louis Vuitton project brings to life a wonderful new world.”
BROOKLYN—The Brooklyn Museum will house a fully operational Louis Vuitton store “within and as part of” “© MURAKAMI,” a retrospective of work by the Japanese artist Takashi Murakami, on view from April 5 through July 13, 2008, the museum has announced.
The store will offer a selection of Vuitton’s Monogram Multicolor bags and small leather goods as well as “Editioned Canvasses” of the Monogramouflage design created jointly by Murakami and Louis Vuitton artistic director Marc Jacobs, with whom the artist has collaborated since 2003. The pattern heralds a new product line that will be launched at the Brooklyn Museum Louis Vuitton store on June 1 and then sold in selected Louis Vuitton stores worldwide.
“© MURAKAMI” debuted at the Museum of Contemporary Art in Los Angeles in late 2008, where it also featured a Louis Vuitton store, a move that drew considerable controversy. However, according to Murakami, “The shop project is not a part of the exhibition; rather it is the heart of the exhibition itself. It holds at once the aspects that fuse, reunite, and then recombine the concept of the readymade. The Louis Vuitton project brings to life a wonderful new world.”
Perhaps to blunt some of criticism, Vuitton has announced plans to donate a portion of the revenues generated at the store on the evening of the exhibition’s gala to the Federal Enforcement Homeland Security Foundation. The Brooklyn Museum has also announced that Vuitton is underwritting the store’s construction and is responsible for its staffing and operation.